With stitching over this, and further layers, ending with beading, who knows what other shades might be introduced? This is where I feel I have 'a conversation' with the work. After the initial concept design and vague colour ideas, sometimes it comes down to what is on hand, or what material will be the main focus. After that first step, it really becomes more of a reactive process. You can't plan the steps - things will show you what works. Sometimes enjoyable, sometimes a little uncomfortable, you just won't know until you follow your instincts through.
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Wednesday 16 November 2022
Layered Colour
With stitching over this, and further layers, ending with beading, who knows what other shades might be introduced? This is where I feel I have 'a conversation' with the work. After the initial concept design and vague colour ideas, sometimes it comes down to what is on hand, or what material will be the main focus. After that first step, it really becomes more of a reactive process. You can't plan the steps - things will show you what works. Sometimes enjoyable, sometimes a little uncomfortable, you just won't know until you follow your instincts through.
Wednesday 9 November 2022
Moving on Up
Here I am, happy to be working on my newly serviced machine back in StudioSvenja. Last month I terminated my residency at TAFE after three of the six months term, as it has been incredibly difficult to deal with the levels of Government bureaucracy and abominable communication. As we met to discuss exhibiting Algalrhythms there next year to finish my tenure, the thought of fighting it all again became too much. To top it all off, plumbers had moved into the studio indefinitely to work on the new fire sprinkler system, and it was not conducive to creativity. Luckily I had done a good tidy up in all the studio spaces here, so as I moved back, I was able to slot everything easily back into place. Sure, it might look a bit chaotic, but this is wonderfully ordered in my world!
I am still progressing on the new works, so nothing has really changed, although I do miss those large tables for layouts. Instead of exhibiting at TAFE, Algalrhythms has been accepted at the Lockyer Valley Art Gallery in February and March next year. Life moves on. Applications are being submitted for the next exhibition titled DistoMorph, which will feature sculptural pieces on a much larger scale than previous work, and some wild colour combinations.
Last week I enjoyed catching up with Janet de Boer for lunch, not having seen her since she opened my exhibition Paracosm at TAFE in August. (The 3D walk-around imaging of the exhibition can be found on my website.) I treasure the laughs we have as we discuss the vagaries of life in the arts over lunch and prosecco. Her wisdom, experience and humour are most useful! I very much enjoy writing for the magazine she created, Textile Fibre Forum, which is published quarterly, and for my next submission I will be writing about the experiences of the many rejections from art competitions and galleries that I have experienced this year.
Speaking of Textile Fibre Forum - Bunneh and I have decided to go to one of the original Fibre Forums as run by TAFTA, so we'll be off to Geelong Fibre Forum in September 2023 to make felt hats with Dawn Edwards. It will be great to have a new venue to explore together, and I'm sure much fun will be had in the workshop. I pinched this image from her website - I can see me spending the whole week making something like this!