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There are other factors involved too. I relish a challenge, and
enjoy the process of problem-solving to a successful resolution, which gives me
a great sense of satisfaction and achievement. I like using my brain in this
way. This is perhaps why I keep experimenting with different techniques and
media. I'm also quite passionate about learning, then educating others about
the many labour-intensive textile techniques perfected over the centuries which
are so beautiful and which are at risk of dying out. Another
wonderful advantage of working in textiles is that the process and materials
themselves are also, usually, quite beautiful.
Often people question why I am not working in film or theatre
costume departments, and my answer to this is that it is not always the
fabulous pieces that are being worked on - there are a lot of hum-drum tasks
involved of which I am all too aware.
I'm sure many of my works would be financially lucrative if I
could reach the right audience. It takes a lot of work to do that, and I'm
afraid I have been more drawn to creating things than marketing. Marketing is
what makes people spend thousands of dollars on a 'designer' hand bag, yet
hesitate to spend a few hundred dollars on an original hand-made item. I'll
never understand how an item, replicated by the thousands in a factory, is
perceived to be more valuable to the consumer than an original item designed
and hand made by an artist. An original. I know what I prefer.
This is why I tend to place myself more as an artist than a
fashion designer. I don't follow trends - I don't understand them. If something
is beautiful, it is beautiful. What I make is more an expression of my ideas
and an exploration of techniques than anything else.
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Here are the pink lights I just bought to decorate my display at the Craft & Quilt Fair this year. Why? You guessed it.
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