We're back from the three day party that was WOW, we're
exhausted, and we're wondering if it even happened at all!! After checking in
at Rydges, and getting changed for Preview night, we headed up to my mother's
apartment for drinks and nibbles, only to be told that she was 'somewhat immobile'
- dear god, what has she done?!! Luckily she had only strained her ankle,
although there was a wheelchair, bandages and ice involved!
The show turned tradition on its head by starting off with
the Bizarre Bra section, usually a high energy finalé to the show. I was really
pleased with the way mine was presented, on a lovely boy as requested, and
without bouncing around too much! Here are the entry photos, modeled by Mr
Pole Dance Australia
Adam Lin, and superbly captured by
Chantal BrennanPhotography. No show photos of it to be found as yet, but in my search I came
across this inspiration
video for the 2017 WETA workshop section of 'Science
Fiction', which has some lovely footage of last year's entry 'Return to Earth
4545'.
 |
| View of the harbour from Rydges |
Following the show we trotted over the road to Arizona for a
bit of a show debrief, largely with the Australian Designers, as well as Lynn
Christiansen. Turned into a bit of a late night as we were still buzzing...
Up early for Designer Day, I left Matt to his own devices
for the day and climbed aboard the bus for the TSB Bank Arena behind-the-scenes
tour. What was really interesting was the talk by the creative director, which
gave us a lot more insight into the production of the show, and made a little
more sense of some of the things we saw. However, if it takes that level of
explanation to
start to get it,
methinks something's gone a little awry, as I know many in the audience are
still trying to digest and comprehend many show elements.
 |
| Two norty pixies! |
 |
| Adam McAlavey in front, Beatrice Carlson and I cursing in the rear. |
After lunch at Te Papa (where many will remember me asking
'where's the wine?!!'), we enjoyed hearing from the guest speakers, in particular
the muse of the show, Reuben Paterson.
Even without wine, I got quite a case of the post-lunch nods, and just
hope that that doesn't show up on footage anywhere! We were then visited by the
Weta workshop team for the application of elf ears - pick me, pick me - and
scars, and for one brave soul in each group, the full application of dwarf
beard, eyebrows, nose and hair! I wasn't racing for that one, but I sure was
first up on stage for those ears!!
 |
| At the Ambassadors Residence |
The afternoon was finished off with a chainmaille
construction session from the Weta crew - I was seated next to fellow pixie
Beatrice Carlson - but I'm not sure if pixies are supposed to talk like that.....!!
There was much frustration as we tried to assemble it - the minute you pick it
up to add a ring it become a complete pile of s%#t! Finally it was drinkie
time, although I was horrified to see no bubbles!! "But we're
artists", I said. "That's what we drink"!!! It was an enjoyable
catch up before the museum closed and threw us out, and some of us moved on to
our favourite tapas bar, Avida, where we go every year for the wonderful
atmosphere and the goats cheese puffs with honey - bliss!
 |
Natwa, Phillipa Stitchbury-Cooper, myself, Mark
Stitchbury-Cooper, Robert Reed and Jo |
 |
| Mac's Brewery |
Friday it was off to the Australian Embassy, well actually, the residence, for a brunch of largely Moet & Chandon and a superb view across the harbour. Pretty awful!! Next stop, Mac's Brewery, for a highly enjoyable unofficial designer gathering open to all, where I got to meet Paula Rowan, and catch up with Julie Brawley and others over some fine wheat beer. We set off mid-afternoon in hopes of a nap before the big night, but realised this was not really going to happen, so popped in to Avida for some MORE cheese puffs. Hey - 'tis but once a year!! We managed a small loll in the cloud (nickname for the super-comfy bed at Rydges) before throwing on the glad rags once again, to meet previous Australian Ambassador Michael Potts and wife Lynda, who hosted us so wonderfully at functions over the past four years.
 |
| An almost-anniversary kiss at Avida |
 |
| Michael Potts, me, Lynda Potts, Matt and Erica Grey |
Showtime, and a marvellous Supreme Winner
in Supernova by
Gillian Saunders - a very
deserving winner in my opinion. I walked Mum back to
her apartment, and exited, only to find two young ladies who confessed to
having followed me as they thought I would know where the post-show party was!!
After a giggle and profuse apologies, I led them back to Dockside, right beside
the show venue, which was going off! We misbehaved here for a while with
Beatrice and Belinda, with some rocking on until 2 and 3 am!
 |
| Supernova |
Back up again, for the full pack up, check out, and trundle
down to the Museum Art Hotel for the media brunch. Not sure of what the plan
was, many of us installed recovery breakfasts in our bellies before attending,
not realising it was....a sit down breakfast!! It was a great opportunity to
mix once more with other designers, and say goodbye before heading to the
airport. I know I said to many that I would try to have a break next year
before returning for the 30th anniversary show, but I make no guarantees. I'm
looking forward now to the usual post-WOW assessment of what I'm doing, and
possible shifts in direction.
 |
| Post show shenanigans with Beatrice |
We really enjoyed the party life this year, but we never
want to do the 3 night run again!!
We're back from the three day party that was WOW, we're
exhausted, and we're wondering if it even happened at all!! After checking in
at Rydges, and getting changed for Preview night, we headed up to my mother's
apartment for drinks and nibbles, only to be told that she was 'somewhat immobile'
- dear god, what has she done?!! Luckily she had only strained her ankle,
although there was a wheelchair, bandages and ice involved!
The show turned tradition on its head by starting off with
the Bizarre Bra section, usually a high energy finalé to the show. I was really
pleased with the way mine was presented, on a lovely boy as requested, and
without bouncing around too much! Here are the entry photos, modeled by Mr
Pole Dance Australia Adam Lin, and superbly captured by Chantal BrennanPhotography. No show photos of it to be found as yet, but in my search I came
across this inspiration video for the 2017 WETA workshop section of 'Science
Fiction', which has some lovely footage of last year's entry 'Return to Earth
4545'.
Up early for Designer Day, I left Matt to his own devices
for the day and climbed aboard the bus for the TSB Bank Arena behind-the-scenes
tour. What was really interesting was the talk by the creative director, which
gave us a lot more insight into the production of the show, and made a little
more sense of some of the things we saw. However, if it takes that level of
explanation to start to get it,
methinks something's gone a little awry, as I know many in the audience are
still trying to digest and comprehend many show elements.
After lunch at Te Papa (where many will remember me asking
'where's the wine?!!'), we enjoyed hearing from the guest speakers, in particular
the muse of the show, Reuben Paterson.
Even without wine, I got quite a case of the post-lunch nods, and just
hope that that doesn't show up on footage anywhere! We were then visited by the
Weta workshop team for the application of elf ears - pick me, pick me - and
scars, and for one brave soul in each group, the full application of dwarf
beard, eyebrows, nose and hair! I wasn't racing for that one, but I sure was
first up on stage for those ears!!
Back up again, for the full pack up, check out, and trundle
down to the Museum Art Hotel for the media brunch. Not sure of what the plan
was, many of us installed recovery breakfasts in our bellies before attending,
not realising it was....a sit down breakfast!! It was a great opportunity to
mix once more with other designers, and say goodbye before heading to the
airport. I know I said to many that I would try to have a break next year
before returning for the 30th anniversary show, but I make no guarantees. I'm
looking forward now to the usual post-WOW assessment of what I'm doing, and
possible shifts in direction. 
