Since returning from installing DistoMorph in Dogwood Crossing, Miles, I have settled into my freshly tidied studio to begin my self-awarded, self-hosted and self-funded residency on working with plastic!
For the month of June I will be focusing on creating with plastic bottles, expanding on my previous work with soldering irons, heat guns, butane torches, fluid acrylic paint, alchohol ink, and exploring 3d pen printing.
| Soldering iron etching |
| Heat gun, butane torch, and alcohol inks |
I first bought a 3d printing pen around five years ago, and created some elements of my exhibition Algalrhythms with it. The PETG plastic filament I was using was very brittle though, and unsuitable for many applications, and I didn’t pursue it. Flexible filament was available then, but was limited to the 3Doodler brand. For those that are unfamiliar with the technology, it's kind of like drawing with a glue gun.(Ive also tried working with a glue gun - also pretty excited about including that.)
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| Glue gun on organze, with silver paint highlight |
| Karina Bond, Instagram |
However, I recently saw the work of Karina Bond and had another look into it, and lo! there have been developments, and flexible TPU filament is now available. So I bought myself seven 1kg rolls of brightly coloured transparent filament, and this morning had my first trial. It’s one of those things that takes you a while to slip into the groove of, so I just need to keep practicing. In many ways it is like free-motion embroidery, as you have to consider making a joining structure as you work so it hangs together. You can work it over a shaped base, which I tried today over a metal ladle, and over one of my distorted plastic bottle pieces. They easily peel off.
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| Inspiration board for plastic waves |
The office corkboard of inspiration images and samples has undergone a revamp, and I’ve even done a wee one down in the wet studio with a piece of Styrofoam that fortuitously blew in over the weekend! I’m keen to pursue an idea that I proposed for Swell Sculpture Festival which wasn’t accepted, but I think has a lot of potential, and was probably not best presented at the time.
I’d also like to create a special piece for DistoMorph’s time in Maryborough next year, as my brief residency there at Gatakers Artspace last year helped drive this project.
| A sample worked at Gatakers Artspace |







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